abstract comics

Friday, April 2, 2010

R.I.P. Jamie Alder, a.k.a. Bill Shut, 1951-2010

I just learned that Jamie Alder, whose abstract comics were published in the anthology under his pseudonym "Bill Shut," died of a heart attack in his sleep two weeks ago. I never met him in person, but we corresponded at length via email and a few times talked on the phone about his contribution to the anthology, not to mention later about his originals that were included in the "Silent Pictures" show. Jamie was also a member of this blog, though I don't think he ever posted anything. For the anthology, I edited slightly his bio. Here it is exactly as he sent it to me:

I was born in 1951 and I'm not dead yet.
I was influenced by the stuff underground artists Rick Griffin, art spiegelman, Victor Moscoso, and the collage novel of Max Ernst were doing. I also really liked Rory Hayes and Mark Beyer. Clay Geerdes and his newsletter Comix World/Wave was the inspiration to self publish. I will also have some pages in Newave! the Underground Mini-Comix of the 1980s Ed. by Mike Dowers and published by Fantagraphics and last I heard coming out at the end of the 2009

I should write something more eloquent about Jamie's pioneering efforts (his abstract comics that we published dated from the early '70s), about the importance of his contribution to underground and newave comix, and so on, but frankly I'm too stunned right now to be able to say much... Rest in peace, Jamie.

More information on Jamie's facebook page. See more of his art on his Poopsheet Foundation page. You can also see more of his work in Fantagraphics' new Newave anthology.

HAPPY BIRTHDAY!!!!

(This blog is 1 year old.)

Abstract Orgasms

From a Saatchi & Saatchi ad campaign for Coco de Mer Erotic Shop:

"Ungh"

"Aagh"

"Ooooh"

"Yeeah"

From Coloribus – "the world's biggest ad archive."

By the way, out of curiosity I googled the name of the store, and I incidentally figured out why an erotic boutique would name itself after a tropical tree.

Thursday, April 1, 2010

Morton Feldman's graph notation

Andrei's Derek Beaulieu's post reminded me of Feldman's music notation:

Wednesday, March 31, 2010

Derek Beaulieu, "Local Colour"

Derek writes of his piece "Local Colour," from which you can see an excerpt below: "Local Colour is a page-by-page interpretation of Paul Auster’s 72–page novella Ghosts. Ghosts concerns itself with Blue, a private detective hired by a mysterious character named White to transcribe the actions of Black, a denizen of Brooklyn Heights. As Blue reports his findings, the reader becomes more aware of the intricate relationship between Black and White, and a tactile awareness of the role of colour spreads through the narrative. I've removed the entirety of Auster’s text, leaving only chromatic words—proper nouns or not—spread across the page as dollops of paint on a palette. What remains is the written equivalent of ambient music—words which are meant to seen but not read. The colours, through repetition, build a suspense and crescendo which is loosened from traditional narrative into a more pointillist construction."